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the Lola.

Added on by John Sturr.

Sitting on the couch - the dog Lola jumped up to view the scene outside the window.  There was nothing there to see - and her head was about 12" from mine.  I grabbed the iPhone 7 and opened KitCam and took this.  I got as close as I could to keep the scene as shown.

Lola - the English Bulldog - iPhone7

Nex-7 and Nikon PC-e

Added on by John Sturr.

A while back - after I purchased the Nex, I was geeked to get my Nikon lenses, adapted, on this body.  All went really well - until I tried to mount the 24mm PC-e Tilt Shift - and I was rudely awakened to the limitations.  I'm very glad I didn't really need this for a shoot, or bring it too a shoot - or I would have fallen flat on my face.

The PC-e's aperture control is electronically controlled - and that's the rub.  In order to set it - one needs to pre-set the aperture on a compatible Nikon and then bring that lens, over to the Nex mount.

It's a bit of a pain - but at least it is a work around -- in this video I describe the technique, where when I first tried to figure it out, I didn't have the desired results.

x-equals

Added on by John Sturr.

​Brandon Oelling and Michael Gray at x-equals.com/blog are at it again.

A new batch of Lightroom presets hit the interwebs and with every new release the choices between which to use become more of a creative struggle.  A good struggle no less - and choosing a preset reminds me of choosing a specific type-set when designing copy.  Depending upon the scene and the subject - you decide.  And I have all of them from day one to choose from and they are awsome.

This time -- XeL:Color Film Emulations  -- hit the link for more info as I just can do it justice.

I think they are great - and I keep coming back for more when another - "labor of love" is released by Gray and Oelling.​​​

Sony Nex-7 with Nikon 50mm f1.4 ais - developed with X-equals Kodak Ultra Color 400 Tone​​

Sony Nex-7 with Nikon 50mm f1.4 ais - developed with X-equals Kodak Ultra Color 400 Tone