In the Tsunami Zone.
Cornice
Figure Ground
South Side - PSB
Nikon P330 - Sunflower Video
SLC Public Safety Upper Floor
SLC Public Safety Awning Solar Array
SLC Public Safety - West Side
SLC Public Safety
*Correction* 8/1/13 per the Architect of Record - 175,00 square feet above grade and 160,00 square feet below grade with Parking.
My original figures were taken from figures provided by the Salt Lake Tribune.
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Public Safety building in Salt Lake City - 100% net zero - 125,000 square feet with a square foot cost at $700 +. Expensive. But it sure looks worth it.
Nikon 1 V1 with the 10-30mm developed with LR and SFex Pro. Lightroom's lens correction tools are just too compelling / powerful to be replaced with others.
Tesoro in the Evening
Lately I've been running in the early mornings - and aside from really hating the running part - I've gotten a good look at a stuff at that early morning still dark viewpoint.
And I love this abandoned Tesoro station on the corner just down the block. And I've wanted to get this picture for a while.
Shot in the evening - and I dug out the D3s, go figure - with the 24mm PC-e Shift.
Working the Weber
2/75 Rgr on the Dash
Looking Back
Summertime
After last weekends 4th Holiday - I came back with a few keepers. They were both quite a surprise when i started to sort and post process the 400+ images, of which I ended up with about 80+.
My technique has evolved into using the 10fps silent shutter option which preserves the scene, but gives me a bunch of frames so I get the shot without eye-blinks. None of what I shot would have been possible without the crazy fast focusing in the V1 though - it is a game changer for compact cameras.
At the Office
Shot of the day
Adjusting a Model - action shot
A colleague adjusts a model at the office of FFKR Architects in Salt Lake City.
The autofocus on the V1 is without peer - and the sensor size is compensated by the resolution of the lenses. Shoot a great lens and uprezzing is a non-issue. Shoot a "wanting" lens - and you can't hide the flaws at 12x18 print and bigger.
I would rather have the shot with a small sensor and less rez- than not with more rez, i.e. Nex-7.
This is with the 18.5mm eq. 50mm. Desired for two reasons, it is crazy sharp - and f1.8 to keep as close to the base ASA -- yes, I just said ASA -- boom !